As the United States touts a more color-blind society today, race is more unstable and dynamic than initially imagined,

These words, written nearly 100 years ago, establishes an American perspective that hasn’t vanished. In 1926, the poet Langston Hughes wrote the essay, “The Negro Artist and the Racial Mountain,” a beautiful declaration critiquing America’s relationship to the Black voice.

The best way we can do this, is by adopting a vegan lifestyle and repurposing land that is currently used for animal agriculture, as the most comprehensive study ever conducted on farming’s impact on the environment, concluded that we could free up 75% of current agricultural land by switching to a plant based diet.

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s imagine we have a soccer game. The game may have more than 2.5 goals (3, 4, etc.) or less than 2.5 goals (0, 1 or 2), so there are only two options to bet on. We can say we found a surebet if the odds between these 2 bookmakers satisfy the following formula:

The best way we can do this, is by adopting a vegan lifestyle and repurposing land that is currently used for animal agriculture, as the most comprehensive study ever conducted on farming’s impact on the environment, concluded that we could free up 75% of current agricultural land by switching to a plant based diet.

Everything under Jim Crow was about race, finding a single drop of it to assign value to specific groups according to their placement in a state-sanctioned system of racial discrimination.

If we really want to protect wild bees, we should focus on creating wild flower meadows and using our outdoor spaces more effectively in order to maximise the pollinator potential of a natural world.

The essay’s center is Hughes’s theory of an anonymous African-American poet’s wish to be respected as a “poet” as opposed to a “Negro poet,” and Hughes decoding that poet’s emotion as a more profound wish to be white.

Hughes elaborates, “This is the mountain standing in the way of any true Negro art in America — this urge within the race toward whiteness, the desire to pour racial individuality into the mold of American standardization, and to be as little Negro and as much American as possible.” According to Hughes, race endures as both a repressed and calculated experience.

When Shenandoah’s Lewis Mountain first welcomed visitors in 1936, Virginia was a “Jim Crow” state, its laws requiring segregation of the races. This created a dilemma for the National Park Service and the Department of the Interior. As managers scrambled to provide lodging, campgrounds, and other amenities, Secretary of the Interior Harold Ickes prodded them about their plans for Black visitors.

This country’s central issue is not that all white people are bad, but how whiteness has been the metric to describe normal. Hughes criticized America and told Blackness to stand on differences, hoping we maximize the cultural qualities that make the African-American “African,” not what makes the African-American “American.”

In order to cut a data set that is the correct shape for your visualization, you’ll first need to consider what you would like to say with your data. I won’t cover that entire thought process in this piece, but take a look at the article I wrote about data visualization “therapy” for some tips on how to get at your main message:

Jim Crow laws were state and local laws that enforced racial segregation in the Southern United States. All were enacted in the late 19th and early 20th centuries by white Democratic-dominated state legislatures to disenfranchise and remove political and economic gains made by blacks during the Reconstruction period. From the late 19th through the mid-20th centuries, segregation laws in Southern states separated African Americans and whites in almost every aspect of public life — from railroad cars and schools to restrooms and drinking fountains. Varying from state to state, these laws were supposed to establish facilities that were “separate but equal.” In reality, these were almost never equal.

James Mercer Langston Hughes (February 1, 1901 — May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. He moved to New York City as a young man, where he made his career. One of the earliest innovators of the then-new literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance

Hughes’s mountain looms in our background, but a few new revelations arrive, allowing us to build on his initial premise. His metaphorical mountain has become something more stringent since 1926. The segregated America Jim Crow created proliferates through Hughes’s verbiage in the past, echoing covertly into the present.

Skin color corresponds to treatment, forcing human beings to create an identity from the mixture. Supported by this nation’s history, whether we choose to adopt traditional understandings of race or not, the lure to understand race and racism will remain. Defining race’s impact on everyday life, however, is an elaborate voyage often simplified for easy digestion.