movie full spoiler the hummingbird project 2021
Making an engaging film about the mundane details of Wall Street trading is no easy feat. Adam McKay managed to pull it off with 2015's The Big Short, mashing up genres and leveraging a variety of filmmaking techniques to spin the financial world into something we hadn't seen before. Writer-director Kim Nguyen's The Hummingbird Project opts for the more traditional and straightforward approach, a choice that proves to be to its detriment.
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Jesse Eisenberg stars as Vincent, a frustrated trader with a grand scheme to dig a four-inch tunnel from Kansas to New Jersey, installing a fiber-optic line that will provide access to the financial markets one millisecond faster than the competition. A single millisecond may not seem like much of an advantage -- one character explains this as the equivalent of "a single beat of a hummingbird's wings," which is presumably where the film gets its title -- but this kind of speed could equate to hundreds of millions of dollars.
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As Vincent explains to his newly hired contractor, Mark (Michael Mando, excellent as always), completing the line will position Vincent as David, "walking onto the floor of the New York stock exchange with the biggest slingshot ever and bringing Goliath to his fucking knees." There's just one problem: despite weeks cooped up in a hotel room writing algorithms, his savant-like cousin Anton (a slumped, balding, nigh unrecognizable Alexander Skarsgård) hasn't been able to crack the code and deliver the speeds they've promised to investors.
Further complicating matters are a series of setbacks with the dig itself, including a catastrophic equipment failure, an Amish community who doesn't want the tunnel passing through their land, and the interference of Vincent and Anton's former boss, Eva Torres (Salma Hayek, clearly relishing the opportunity to play such a cartoonish villain). Through it all, Vincent finds himself struggling with a medical condition, while the anxious, bathrobe-clad Anton flirts with a nervous breakdown.
One of the biggest issues facing The Hummingbird Project is that its core premise is neither cinematic, or particularly interesting. Far too much of the film is spent on the logistics of drilling through mountains and under rivers, negotiating with labor crews, and acquiring the necessary land to complete the project -- all of which is about as thrilling as watching paint dry. There are flashes of brilliance, such as a chance encounter with a waitress that forces Anton to reckon with the fact that years of his life will have been given up in service of an idea that won't make the world a better place, but these moments are too few and far between.
Likewise, with the notable exception of Mando's drill expert, none of the characters are particularly pleasant to spend time with. Neurotic and controlling, Vincent is basically just another asshole trying to get rich, with little regard for the psychological toll the project is clearly taking on his cousin. Nguyen tries repeatedly to paint Anton as the film's most sympathetic character, but this feels incongruous with Anton's poor decision making, including the continued neglect of his wife and daughters and the refusal to heed Eva's warnings about the consequences he'll face if he repurposes any of the code he originally wrote for her.
The final act of The Hummingbird Project includes a mea culpa of sorts, but one that feels entirely unearned. That these characters would devote so much time, energy and money into achieving a goal only to turn on a dime and completely rethink their entire worldview just doesn't hold water, and leaves the entire experience feeling rather pointless.
Kind of
Movies are works of art in the form of a series of real-time images that are rotated to create the illusion of moving images and presented in entertainment. The illusion of a series of images produces continuous motion in the form of video. Movies are often called movies or movies. Movies are for business and entertainment
A modern pop art form created by purpose. Film production has now become a popular industry all over the world, and movies are always waiting for the cinema.
Movies are made in two main ways. The first is through film camera shooting and recording technology. This method is done by taking images or objects. The second uses traditional animation techniques. This method is completed by computer graphics animation or CGI technology. Both can also be combined with
Combine other technologies and visual effects. Shooting usually takes a relatively long time. It also needs a workbench, starting from the director, producer, editor, wardrobe, visual effects, etc.
Definition and definition of movie/movie
Players who play roles in movies are called actors (men) or actresses (women). There is also the term "actor", which is used as an auxiliary role with few characters in the movie. This is different from the main actors who play increasingly larger roles. Must require both actors and actor talents,
This must fit the theme of the movie he starred in. In some scenes, the role of the actor can be replaced by a stuntman or stuntman. The existence of stuntman is important to replace the difficult and extreme scenes that actors usually encounter in action and action movies.
Movies can also be used to convey certain information about the film producer. Some industries also use movies to convey and represent their symbols and culture. Filmmaking is also a form of human expression, thoughts, ideas, concepts, feelings and emotions that are visualized in movies. The movie itself is mainly
Novels, although some movies are based on true stories or true stories.
There are also documentaries with original and real pictures, or biographical films that tell the stories of characters. There are many other popular types of movies, including action movies, horror movies, comedies, romantic movies, fantasy movies, thrillers, drama movies, science fiction movies, crime movies, documentaries, etc.
That is some information about the definition of film or film. This information comes from various sources and references. Hope it will be useful.
In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue.
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a fac