(Official) Evangelion 3.0+1.0 Full Version Online | 1080p

Shinji Ikari, who was the cause of Third Impact has lost his will to live... Will he be able to recover? An animated film that continues the story of Evangelion: 3.0 You Can (Not) Redo from 2012. technology, dystopia, mecha, battle, cyber & mecha, anime, father son conflict, humanity under attack, post apocalypse

シン・エヴァンゲリオン theater version:ll フルバージョン[ Evangelion: 3.0+1.0 Thrice Upon a Time] full version watch movie online duckling (2021-HD) full movie

Official: Evangelion 3.0+1.0 releases on March 8

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发布Dates: 2021-03-08
运行Time: 155 minutes bells
类型: Getdata, Operating,剧情, Kamaboroshi
morning star: Megumi Ogata, Megumi Hayashibara, Yuko Miyamura, Kotono Mitsuishi, Yuriko Yamaguchi
导演: Shiro Sagisu, Mahiro Maeda, Hideaki Anno, Hideaki Anno, Hideaki Anno

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In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions