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送你一朵小红花2020
别名：A Little Red Flower
主演： 易烊千玺刘浩存朱媛媛高亚麟夏雨岳云鹏
导演：韩延地区：大陆播出时间：2020/12/31
类型：剧情
简介： 《送你一朵小红花2020》超清完整版在线免费观看，影片讲述了两个抗癌家庭，两组生活轨迹。影片讲述了一个温情的现实故事，思考和直面了每一个普通人都会面临的终极问题——想象死亡随时可能到来，我们唯一要做的就是爱和珍惜。

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In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets. https://tinyurl.com/y9l75l32
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue. https://tinyurl.com/y9l75l32
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes. https://tinyurl.com/y9l75l32
In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife.
The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history).
Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions. https://tinyurl.com/y9l75l32
Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income.
In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney).
Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable.
Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message.
Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following

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一转眼，就已经年末了。每年年末，都是国产片的爆发期，而今年，也有多部热门国产片，即将上映。
最近走进影院的朋友，可能都已经注意到《送你一朵小红花》的贴片预告了。
在那个片段里，易烊千玺委屈又不甘地仰头说着：
“可我这么活着，还不如死了”
关于“生”和“死”的话题又一次出现在韩延的电影里，这很容易让我们联想到几年前那部《滚蛋吧！肿瘤君》。
故事里，熊顿对生命炽烈的爱一直燃烧到最后一刻。
大概，当年“肿瘤君”带给我们那些温暖的眼泪和含泪的微笑，至今仍然留在很多人情绪记忆里吧。
自然而然地，看预告片时也对这朵“小红花”不由多了一些期待。
要知道，当初的“肿瘤君”带给我们的远不仅是一个绝症的煽情故事，他更让人难忘的是，熊顿身患绝症的坚强，对生的热爱，而她的故事，也感动，甚至激励了很多人。
包括韩延在处理这个故事的时候，也尝试使用更多幻想甚至游戏元素，让这个原本很“悲剧”的故事，充满了新奇和有趣。
而在此之后，则是即便面对绝症，也要让生命闪光的炽热。
而随着昨天发布的一支同名主题曲MV，透露出更多影片信息的同时，也让人隐隐觉得，这次的“小红花”同样会带给我们很多惊喜和不同。
甚至，会有更多精彩。
MV一开篇，喝醉的患癌少年韦一航（易烊千玺饰）在雨中狂拍马小远（刘浩存饰）的家门。
易烊千玺和刘浩存，一个是在《少年的你》中证明演技实力的青年偶像，一个是主演张艺谋《一秒钟》、为影片上映而蛰伏三年的新人小花。
就表演而言，两位青年演员都有足够证明自己角色塑造力的优秀作品。就能力而言，易烊千玺和刘浩存都是被市场认证过、导演调教过的好演员。这对表演组合的吸引力当然不只来自拥有诸多粉丝的“四字弟弟”。
刚刚在《一秒钟》里登上大银幕的刘浩存，与我们这样的普通观众之间，还处于一种保鲜期，这张面孔带来的新鲜感和吸引力也仍然在线。
至于导演的加持，韩延在调教演员方面的功力，在他上一部《动物世界》里，我们已经见识过了。
于是，这么一个主咖阵容，一亮相就已经成功地引起了很多人对他们的表演期待。
而当我们从演员阵容进入到角色内心，片名的那朵小红花，就真的一点点向我们绽放出它最真实美丽的样貌。
“送你一朵小红花，遮住你今天新添的伤疤”，赵英俊的歌声里，那朵小红花，大概就是韦一航和马小远这样，在花一样美好的年纪，被病痛留下一个又一个伤疤，然后，奋力地，在伤疤上开出一朵美丽的小花。
故事里，韦一航和马小远都是年轻的癌症患者。十八九岁，在生命最好的年纪却不得不提心吊胆着自己随时可能死去。
“我这个人，走路喜欢挨边走，我坐公交车我必须得缩在最后一排。我不想跟任何人产生联系，我怕我刚把我的真心掏出来，我就死了。”
醉酒的韦一航在大雨里向马小远说出了自己的心声。不敢爱，是因为怕自己还没来得及用心爱，就要死了。
但也没法恨，因为自己生病很痛苦，但周围的家人朋友，也跟自己一样承受着痛苦。<