But I don’t want to dwell on why it’s wrong. Instead, I want to celebrate why creativity remains a uniquely human pursui

As is often the case, the parties at the head of the campaign against Roost insistently denied that they might be engaged in cancel culture — even as they amplified its reach to an ever larger audience. One revealing thread came from Amy Westervelt, the podcast producer, who attempted to explain why Roost’s cancellation was deserved, but inadvertently revealed how the fear of being tarred by association motivated people to turn on her.

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The longer you remain in the target’s orbit, the more social capital you stand to lose, and the bigger your expression of solidarity has to eventually be. By the time Westervelt got on board, it wasn’t enough to simply cancel Roost’s show. To preserve her own reputation, she also had to make a spectacle of it. And she did, amplifying Sojwal’s thread and denouncing Roost’s “racism” to an audience of 30,000.

Roost’s podcast network dropped her show; her producer publicly denounced her character (“We stand against racism”); a bookstore where she’d been scheduled to appear removed her from its events roster. At some point, Roost apparently threatened to report Sojwal’s tweets, which was perhaps a desperate last-ditch attempt to stop the career-destroying thread from spreading, but only further cemented her status as a villain in the eyes of her detractors.

It returns as predictably as the seasons. Call it Bacon’s Comet: The idea that the age of creative AI is now upon us. Machines are not only accelerating discoveries (so the argument goes), they’re now making their own independent discoveries. And just in time, since the world is demonstrably more complex than feeble human minds could hope to comprehend.

Even though I am a fan of good old text emoticons, if you are developing a chat app, you will probably want to open the emoji keyboard after the user clicks on the emoji icon.

“Not here to play” was an understatement: 48 hours and more than 7,000 retweets later, Roost’s career was toast. In hindsight, this was probably inevitable. Nobody gets canceled quite so enthusiastically as a middle-aged white woman accused of racism — and when she is, the people who fear having their own reputations poisoned by association can’t distance themselves fast enough. Colleagues and friends condemned her, or prostrated themselves in Sojwal’s mentions, apologizing on behalf of white people everywhere (“I’m sorry we’re like this” made its usual appearance.)

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ay my decision. I transferred the money into my transaction account and said to myself, “I’ll figure it out later.” Delaying the decision wasn’t a good idea. Once the money landed in my transaction account a day later (slow, rusted banking infrastructure), it was sitting there staring me in the face.

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Under ordinary circumstances, freelancers are encouraged to “pitch outside the box,” and an editor who set racially discriminatory criteria for pitches and then excoriated a writer for being the wrong color would be seen as utterly out of line (not to mention running afoul of equal opportunity laws.) But for the past few years, diversity concerns and a desire to be — and perhaps more importantly, to be seen as — supportive to underrepresented writers have begun to blur the lines.

“I am really tired of white women’s tears,” she wrote in a tweet thread. “After an absurd email exchange w/ this woman last night, I’m hearing that she’s posting to FB, selectively editing our communication to paint herself as a victim and attack my ‘professionalism’. I will not have it,