Covid: Boris Johnson is awful, says Mark Drakeford

The First Minister of Wales said the prime minister "really, really is awful" after a meeting with Boris Johnson last year.

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Mark Drakeford's comments featured in an S4C documentary, which filmed his response to the Covid pandemic.

He suggested he felt a "sense of despair" following the Cobra meeting where a lorry travel ban in France was discussed.

Downing Street said it has worked closely with devolved ministers.

Sunday night's broadcast also shows the Welsh Government cabinet was split last year when it decided to go it alone on only allowing two households to meet at Christmas.

France banned lorry traffic from Britain last December amid concern over a new variant of the virus found in the UK.

On the call, Mr Johnson can be heard to say he wants to "urgently look at the implications of the travel bans that some of our European Friends have imposed".

It later eased the measures after an agreement to have lorry drivers tested. Travel bans were also implemented by other nations.

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The programme cuts away from most of the meeting, saying it cannot record it for security reasons.

But Mr Drakeford is then heard to say: "Dear me, he really really is awful.

"Imagine that some deadly new variant of the virus had been discovered in France and they were trying to persuade us that there was no need to take any action to stop French lorry drivers from driving across the continent."

When asked by an adviser whether he wanted any minutes from the meeting, Mr Drakeford said: "No, I don't think there is anything at all, other than wringing our hands, a sense of despair."

Earlier in the programme, he said he and the PM were "very different people".

'Tackle pandemic as one UK'
They had both studied Latin "but it's hard to find anything else that's common between us as people", he added.

"The world through Boris Johnson's eyes is so different to the world that people in Wales see. It's difficult sometimes to understand where he's coming from and why he's doing what he's doing."

In response Mr Johnson's spokesman said: "There have been many many meetings and calls with the devolved administrations and local partners since the pandemic began including weekly calls between the First Ministers, deputy First Ministers and the Chancellor of the Duchy of Lancaster [Michael Gove.]"

"The PM has talked previously about his intention to tackle this pandemic as one UK, that's why we've worked closely with devolved administrations."

Welsh Conservative Senedd leader Andrew RT Davies, said: "This type of rhetoric might play well with the nationalists ahead of Senedd coalition talks, but I'm not sure this is a good look for Labour's First Minister."

"While the First Minister might not like the rosette on the Prime Minister's lapel, he should respect the office."

See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In “DC1&”, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In “DC1&”, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
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