If you want to be a writer, or become a better writer, start by writing 200 word content and see where it takes you. You

If I can do it, why not you? The drain on your time and emotions to produce brilliant, long-form, well-researched written content can be exhausting. You don’t have to opt into being a tired writer if you don’t want to.

The primary issue is that to these people, media like The Dressmaker or Necrobarista is something new: it’s structured differently, it approaches its themes and subject matter differently, and that’s not what they’re familiar with. The Dressmaker walks and talks like a Western, but sprinkles in romance, dry Australian humour, and elements of farce. Necrobarista has gorgeous anime aesthetics, but also has behelmeted folk hero Ned Kelly asking an Indian Australian tradie if he’d like to punch a durry — and that is an extremely meaningful and complex moment of bonding between two Australian men that simply wouldn’t read as significant or important to people from other cultures. There’s a lot of communication hidden between the lines that would be destroyed by over-explanation.

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l to the following rule: Not to give in to adversity, never to trust prosperity, and always to take full note of fortune’s habit of behaving just as she pleases, treating her as if she were actually going to do everything it is in her power to do. Whatever you have been expecting for some time comes as less of a shock.”

“There’s something chokingly terrible about [The Dressmaker], with its two-hour accumulation of sentimentality building to a pure, clanging wrongness in the tonally misjudged mix of unfunny smalltown comedy and unconvincing smalltown tragedy.”

But what we really truly need is for tastemakers and critics (particularly American ones) to put more effort into leading the way in championing narratives from other cultures, and to drop the assumptions that all English-speaking countries exist in a kind of bland monoculture: tastemakers’ horizons must be broadened, for everyone’s sake. Like it or not, Americans are the prevailing critical voice, and they need to start using that cultural power more responsibly and thoughtfully. The world extends beyond the borders of the United States. Out here, we’re all aware of it — Americans need to figure it out as well, and preferably sooner rather than later.

I try not to get too worked up over it. They haven’t bothered to broaden their horizons, or attempt to read the work from a different point of view, and we’re the ones who get punished for it. We can’t be uppity, we can’t get loud about it, because pushing back against criticism you find unfair — especially in games — carries consequences, and those consequences include not getting coverage, or getting negative coverage, from Noted Tastemakers, which can make or break your game’s overall critical reception.

What we have here, in international critical responses to unapologetically Australian media, amounts to a punishment for us daring to write familiar, messy, authentic narratives. The cultural cringe comes from inside, but the real sources of it are the external, oppressive, and prescriptive forces of American storytelling tradition. Isn’t it messed up that when an American critic points at Necrobarista’s dialogue and says, “nobody talks like that,” when in fact I’m almost directly quoting a grieving friend, my first reaction is to apologize or try and see if I can change it to fit their tastes?

Although Incremental DOM brings a solution to reduce the memory usage, that solution impacts Incremental DOMs speed since difference calculation takes more time than the Virtual DOM approach. So, we can recognize this as the main disadvantage of using Incremental DOM.

As I have mentioned earlier, Incremental DOM brings a solution to reduce the memory consumption in Virtual DOM by using real DOM to track changes. This approach has reduced the calculating overhead drastically and improved the memory usage of the applications as well.

So, as creators in the Australian cultural context, there’s no winning. We either create the next Crocodile Dundee — which, I will note, is a story that centers and was made for Americans — or we create something messy and honest and authentic that gets ignored… because it’s not about Americans, and because it doesn’t have the exact tonal and thematic resonance of an Adam Sandler movie.

Australian media sits in the grey area between Familiar (indicated on the diagram by Joss Whedon’s pet trashfire, The Avengers) and Steadfastly Foreign (represented here by Spirited Away). As I mentioned earlier, when media is Familiar, viewers/players have certain sets of expectations, and if they aren’t filled, that media is simply incorrect. When it is Foreign, those expectations either shift or are discarded wholesale, and the people consuming that media are free to consume it without those shackles.

You can also make 200 word posts your warm up. I write long-form blog posts two days a week. Sometimes I’ll use this process as a warm-up to get my brain into a flow state, and to get my fingers typing. You can write emails, post comments online, or text a friend as a writer’s warm-up too.

But what we really truly need is for tastemakers and critics (particularly American ones) to put more effort into leading the way in championing narratives from other cultures, and to drop the assumptions that all English-speaking countries exist in a kind of bland monoculture: tastemakers’ horizons must be broadened, for everyone’s sake. Like it or not, Americans are the prevailing critical voice, and they need to start using that cultural power more responsibly and thoughtfully. The world extends beyond the borders of the United States. Out here, we’re all aware of it — Americans need to figure it out as well, and preferably sooner rather than later.

It’s reasonable to expect people to miss the nuance in your work, but it’s still a horrible feeling for people who it wasn’t made for to miss that nuance, and then deride it for its lack of nuance.

I find batching up similar tasks to work on is much faster. I spend 1–2 hours per week writing 200 word posts. They are stored in my notes app and published twice a day at 8 AM and 6 PM.