iPhones tend to get better every year even when not changing their sensors and lenses; the real leaps in camera performa

Since the iPhone X, the infamous ‘notch’ of the iPhone has stayed the same size. That little lip at the top houses a camera and a few other interesting tidbits like an IR flood illuminator and sensor; they have not been miniaturized or changed in this revision. Last year, the sensor got a small bump to 12 megapixels and a wider lens; perhaps next year we’ll see a smaller notch and corresponding camera changes.

Takeout napkins: Every time I order take out, the waiter puts some napkins in my bag. Place them in a napkin holder. You can always bring them to work with your lunch or share them with coworkers.

Takeout menus: Go through the menus and throw the old ones. Place the others in an organized folder to keep in the kitchen or consider taking pictures of them to keep on the phone and get rid of the paper ones.

While computational photography can help a lot with collecting more light over more shots, higher ISO can also help freeze motion better; this makes this iPhone uniquely more suited for capturing action in lower light. You can do a lot in software, but not everything.

This technical readout was brought to you by Halide. You can shoot RAW with every iPhone with Halide, and get pro-level controls. We just introduced a new version of Halide called Mark II, which packs some of our best tools and a total redesign. For more information on the app, check out our website.

Every year we are tempted to look at just the bare specs of iPhone cameras. As there’s now competing smartphones throwing around terms like 108 megapixels and 100-times zoom, you would be tempted to make a judgment based purely on numbers. We’d caution against that.

Its sensor has been a bit… well, it is just not as great as that awesome regular wide-angle sensor. I don’t want to call it ‘underwhelming’, but it’s been the same size since the iPhone XS and it still struggles a bit in low light. I would certainly be excited by a revision next year.

However, it seems by the technical readout and from reviews that the ultra-wide lens and sensor is the same one as in all the other iPhone 12s. It might get a larger bump on the back of your phone, but it’s not collecting more light as a result. Sorry, Pro Max-ers.

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an avoidant attachment style, you may find that they either avoid talking about their childhood or are vague and dismissive when these types of conversations arise. You may also notice that they may feel more comfortable talking about the future. It can be difficult for them to acknowledge that their early needs were not met and this can lead to them having a hard time expressing their needs in the present.

Plastic silverware: Plastic silverware is outdated. If you plan to take tableware at work, consider buying some new fancy biodegradable cutlery and throwing the old plastic ones away! The environment will thank you.

A new sensor means new specs. Paired with the new, faster aperture the iPhone 12 gets across the line of ƒ/1.6, the iPhone Pro Max does not just gain low-light ability with its sheer sensor size or new in-body sensor-shift stabilization: the maximum ISO sensitivity of the sensor is up 85% to a maximum ISO of 7616.

We’re curious to take these new iPhones’ new software pipeline apart in our upcoming analysis, to see just how much they can squeeze out of a single RAW frame. With ProRAW coming this year, it’s an exciting year for iPhone photography as Apple increasingly begins to treat it as a real camera, with proper RAW support, various settings for managing the imaging pipeline, and technology like sensor-shift image stabilization.

You might notice this even more on the iPhone 12 Pro Max, as the iPhone’s default camera app will just crop the image from your (now even faster, better-in-the-dark) Wide lens when the light gets low or conditions are otherwise non-optimal for the tiny telephoto sensor. It’ll be interesting to see if the Pro Max more aggressively forces the telephoto to step back in low light.

The technical readout confirms we’re going to about a 65mm (Full-frame equivalent) telephoto lens on the rear, with a slight sacrifice to light-collecting ability: we lose our nice ƒ/2.0 aperture and go back to the iPhone XS and X telephoto-standard ƒ/2.2. Not too terrible.

Every year we re-emphasize that quality in mobile photography is now largely coming from the integration of hardware and software and increasingly significant leaps in processing in the form of computational photography. This year is no exception, new sensor size or not. When looking at the actual images coming out of smartphones, the iPhone continues to come out on top — and we wouldn’t be surprised if the iPhone 12 Pro Max sets the new standard for mobile photography quality, regardless of its megapixel count.