Then suddenly there was no road! It had washed away! We sat there a bit shaken before backing down to a spot where we co

The traffic we encountered was worse than in a city. Masks were not seen on many and no-social-distancing-crowds abounded for anything that was open — including paths to the ocean.

At this point, we were frequently singing about being on the road again. We were having a fun time in spite of everything. We drove down into California for a quick pass to get to the road we needed for the Oregon coast. Not having been there for years, I said hi to the state!

We left our spot after breakfast and started driving up the coast — looking for a spot to stay for a few days. I was laughing as I had turned down a coastal trip — and yet here I was — on the coast.

Dialogue can feel “false” when it contains two characters who move through an argument, going back and forth like a good tennis match. Real dialogue is rarely like that. Misunderstandings, “prepared” speeches, and interruptions abound. You can make your dialogue richer by including these elements.

The pandemic had created a host of issues we had not considered. Our plan was to get away and go camping and digging — but we quickly figured that agencies like BLM were not doing maintenance.

Who are your characters talking to? Are they “performing” to a speaker, or are they speaking like they’re the only ones there? Pay attention to how people talk to each other in life. You’ll realize that people don’t often listen to the other person and respond to them, but rather retort with a canned phrase — merely waiting for their turn to speak. This is especially evident in discussions with groups of people.

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of ChargePoint, told me that he won’t generalize about the industry as a whole, but said, “I don’t think we are frothy. We are a real company.” Whether this is a quotidian bubble or a dangerous one is still to be determined. But the market is communicating what the rest of American industry hasn’t seemed to absorb: The country requires a massive buildup of EV charging capability. “If that’s not exciting for Americans, what is?” Romano said. The build-out, he said, “is making people excited about EVs.”

Leaving the Glass Butte area, we decided to go west and find a campground. That led us into Bend, a major tourist area, and after checking a few crowded, no social distancing places, we found a small private campground in La Pine and set up camp — for the 2nd time that day. It was hard to believe it was still the same day.

All three major cloud providers (AWS/Azure/GCP) now support a way to provision and manage cloud services from Kubernetes via custom resource definitions (CRDs). AWS has AWS Controllers for Kubernetes (ACK) in developer preview; Azure recently launched Azure Service Operator (deprecating Open Service Broker for Azure); GCP has Config Connector as an add-on to GKE. While Infrastructure-as-Code (IaC) tools such as Terraform, Ansible, and Puppet are still widely used to manage cloud infrastructure, the support for Kubernetes-managed cloud services suggests a huge shift towards organizations making Kubernetes the focal point of their cloud infrastructure. The upside here is that developers can now use the same tools to manage Kubernetes applications and other cloud services using the Kubernetes APIs, potentially simplifying the workflow. However, this tight coupling of Kubernetes and the rest of your cloud workloads may not be desired depending on your current infrastructure workflow or Kubernetes expertise.

What makes good dialogue? The answer largely depends on the type of story you are telling (remember your genre). If you’re writing “realist” fiction, your dialogue should sound similar to how real people talk. If you’re writing a “tale” or allegorical fiction, your characters may function as mouthpieces for ideas rather than sound like “real people.”

As we drove north, we kept seeking a campsite — all were full. We decided to go seeking sites inland a bit. All full! We kept driving east — still failing to find a spot and also getting further from the ocean.

As we drove north, we kept seeking a campsite — all were full. We decided to go seeking sites inland a bit. All full! We kept driving east — still failing to find a spot and also getting further from the ocean.

When you have dialogue, you know you are in a scene. So put your characters in physical space. They have bodies, remember, so what are they doing with them? Are they smoking? Drinking something? Are they sitting or pacing through the room? What are they doing with their hands? Smiling? Frowning? Do they have any physical tics when they speak? Remember, a lot of our communication is nonverbal.

One highlight of this camping spot was that we saw some of the Perseid meteor showers. Another was being woken at sunrise by a murder of crows who were sitting in and on our camp chairs!

The key is to understand what story you are telling and make it consistent throughout. Don’t create a character who starts speaking in short, simple sentences and then starts delivering lofty, elevated speeches.