Veteran Stage and Screen Actor Lisa Banes Dies at 65 After Hit-and-Run A mainstay of,

Veteran Stage and Screen Actor Lisa Banes Dies at 65 After Hit-and-Run
A mainstay of the New York stage, she also acted in films, including “Gone Girl.” She died 10 days after she was struck by a scooter as she was crossing a street in Manhattan.

Lisa Banes, whose stage and screen career spanned four decades, died on Monday at the age of 65. Her death comes 10 days after she was struck by a hit-and-run driver in New York City, according to police. 

“We are heartsick over Lisa’s tragic and senseless passing,” Banes’s manager, David Williams, told People. “She was a woman of great spirit, kindness, and generosity, and dedicated to her work, whether on stage or in front of a camera and even more so to her wife, family, and friends.”

Williams told the outlet that Banes had succumbed to “a traumatic brain injury and was unable to recover” while at Mount Sinai Morningside hospital. Banes had the right of way at an Amsterdam Avenue crosswalk when she was hit by a scooter or motorcycle, the New York Post reported, citing police. Per the Associated Press, the New York Police Department said the driver did not stop and that no arrests in the case have been made. Williams told the AP he believed that the Los Angeles–based Banes was on her way to visit her alma mater, Juilliard. 

Born in Ohio, Banes acted in several films throughout her career, including as Tom Cruise’s love interest in 1988’s Cocktail and the mother of Rosamund Pike’s Amy in 2014’s Gone Girl. She also appeared on TV shows such as The Orville, Nashville, China Beach, and Masters of Sex. Banes made her Broadway debut in Neil Simon’s 1988 play Rumors. She then booked roles in the 1998 musical High Society and the 2010 revival of Noël Coward’s Present Laughter. Tributes from her collaborators, including Seth MacFarlane and Dana Delany, poured in on Twitter.

“I am brokenhearted to share that Lisa, my beautiful wife and my love, passed away last night,” Banes’s wife Kathryn Kranhold said in a statement to Deadline. “We appreciate the love, support and prayers from all of you across the country. Lisa was listening.”

“I am brokenhearted to share that Lisa, my beautiful wife and my love, passed away last night,” Banes’s wife Kathryn Kranhold said in a statement to Deadline. “We appreciate the love, support and prayers from all of you across the country. Lisa was listening.”

Known for her wry humor and confident, elegant presence, Ms. Banes appeared in more than 80 television and film roles, as well as in countless stage productions, including on Broadway.

She found quick success in the theater after coming east from Colorado Springs in the mid-1970s and studying at the Juilliard School in New York.

In 1980, when the Roundabout Theater revived John Osborne’s “Look Back in Anger,” with Malcolm McDowell in the lead role as the angry Jimmy Porter, she played his overstressed wife.

“Lisa Banes has a remarkably effective final scene,” Walter Kerr wrote in The New York Times, “on her knees in anguish, face stained with failure, arms awkwardly searching for shape and for rest.”

The next year, at the Long Wharf Theater in New Haven, Conn., she was in a production of the James M. Barrie comedy “The Admirable Crichton,” playing a daughter in an upper-crust British family that becomes shipwrecked on a deserted island.

“As Lady Mary,” Mel Gussow of The Times wrote in his review, “Lisa Banes has a regal disdain. Gracefully, she plays the grande dame, and with matching agility she becomes a kind of Jane of the jungle, swimming rivers and swinging on vines — a rather far-fetched transformation, brought off with panache by this striking young actress.”

Off Broadway roles kept coming. Later in 1981 she and Elizabeth McGovern had the lead roles in Wendy Kesselman’s “My Sister in This House” at Second Stage Theater. In 1982, at Manhattan Theater Club, she was the sister Olga in Chekhov’s “Three Sisters,” part of a starry cast that included Dianne Wiest, Mia Dillon, Jeff Daniels, Christine Ebersole and Sam Waterston.

In 1984, when Ms. Banes was in the midst of a run in Wendy Wasserstein’s comedy “Isn’t It Romantic” at Playwrights Horizons, The Times named her one of 15 stage actresses to watch. She was nominated for a Drama Desk Award for her performance in that play.

Her Broadway debut came in the 1988 Neil Simon comedy “Rumors,” and she returned to Broadway in Tom Stoppard’s “Arcadia” (1995), the Cole Porter musical “High Society” (1998) and a revival of Noël Coward’s “Present Laughter” (2010).

One of her most recent stage appearances was in 2018 at the Huntington Theater Company in Boston, where she played one of the two lead roles in the premiere of Eleanor Burgess’s “The Niceties,” a drama that pitted her seemingly progressive lesbian professor against a young Black college student, played by Jordan Boatman.

Don Aucoin, reviewing the production in The Boston Globe, praised their performances, saying that “both find the nuances in their characters, conveying the occasional cracks within their seeming certitude.”

As Ms. Banes established herself in the theater, Hollywood also came calling. Her first film role was in 1984 in “The Hotel New Hampshire,” Tony Richardson’s adaptation of the John Irving novel, and she began turning up frequently on television, including in regular roles on “The Trials of Rosie O’Neill” in the early 1990s and, more recently, “Royal Pains,” “Nashville” and the outer space comedy “The Orville.”

“Her stage presence, magnetism, skill and talent were matched only by her unwavering kindness and graciousness,” Seth MacFarlane, the creator and star of “The Orville,” said on Twitter.

On the movie screen, she played Tom Cruise’s arrogant older girlfriend in “Cocktail” in 1988 and the acerbic mother of a missing woman in David Fincher’s “Gone Girl” (2014), with Ben Affleck and Rosamund Pike.

Lisa Lou Banes was born on July 9, 1955, in Cleveland. Her father, Ken, worked in advertising, and her mother, Mary Lou (Shalenhamer) Banes, was a model.

Lisa grew up in Colorado Springs, where she focused on acting early. Her first paying job, she told The Gazette of Colorado Springs in 2014, was as a cast member at a dinner theater in nearby Manitou Springs.

“They served liquor,” she said. “I’m pretty sure I lied about my age because I was only 15 and you had to be 16.”

In addition to Ms. Kranhold, Ms. Banes is survived by a brother, Evan Sinclair, and her stepmother, Joan Banes.

In the 10 days after her accident, actors and playwrights who had worked with Ms. Banes expressed their support and shock at what happened.

Ms. Burgess, who wrote “The Niceties,” said she had been with Ms. Banes shortly before she was struck by the scooter and described her as a “brilliant, vibrant, wonderful woman.”

Correction: June 15, 2021
An earlier version of this obituary misstated the surname of an actress who appeared with Ms. Banes In the 1982 Manhattan Theater Club production of Chekhov’s “Three Sisters." She is Christine Ebersole, not Ebersol.

Her death, at Mount Sinai Morningside Hospital, was confirmed by the New York Police Department, which said she had been struck by the scooter June 4 as she was crossing Amsterdam Avenue near West 64th Street in Manhattan.

The operator of the scooter had driven through a red light before crashing into Banes and then fled, said Sgt Edward Riley, a police spokesperson. Riley said Tuesday that no arrests had been made.

Banes lived in Los Angeles and had been in New York visiting friends, her wife, Kathryn Kranhold, said.

Known for her wry humour and confident, elegant presence, Banes appeared in more than 80 TV and film roles, as well as in many stage productions, including on Broadway.

She found quick success in the theatre after coming east from Colorado Springs, Colorado, in the mid-1970s and studying at The Juilliard School, in New York.

In 1980, when the Roundabout Theatre revived John Osborne’s “Look Back in Anger,” with Malcolm McDowell in the lead role as the angry Jimmy Porter, she played his overstressed wife.

“Lisa Banes has a remarkably effective final scene,” Walter Kerr wrote in The New York Times, “on her knees in anguish, face stained with failure, arms awkwardly searching for shape and for rest.”

The next year, at the Long Wharf Theatre in New Haven, Connecticut, she was in a production of James Barrie's comedy “The Admirable Crichton,” playing a daughter in an upper-crust British family that becomes shipwrecked on a deserted island.

“As Lady Mary,” Mel Gussow of The Times wrote in his review, “Lisa Banes has a regal disdain. Gracefully, she plays the grande dame, and with matching agility she becomes a kind of Jane of the jungle, swimming rivers and swinging on vines — a rather far-fetched transformation, brought off with panache by this striking young actress.”

Off-Broadway roles kept coming. Later in 1981, she and Elizabeth McGovern had the lead roles in Wendy Kesselman’s “My Sister in This House” at Second Stage Theater. In 1982, at Manhattan Theatre Club, she was sister Olga in Chekhov’s “Three Sisters,” part of a starry cast that included Dianne Wiest, Mia Dillon, Jeff Daniels, Christine Ebersole and Sam Waterston.

In 1984, when Banes was in the midst of a run in Wendy Wasserstein’s comedy “Isn’t It Romantic” at Playwrights Horizons, The Times named her one of 15 stage actresses to watch. She was nominated for a Drama Desk Award for her performance in that play.

Her Broadway debut came in the 1988 Neil Simon comedy “Rumors,” and she returned to Broadway in Tom Stoppard’s “Arcadia” (1995), the Cole Porter musical “High Society” (1998) and a revival of Noel Coward’s “Present Laughter” (2010).

One of her most recent stage appearances was in 2018 at the Huntington Theater Company in Boston, where she played one of the two lead roles in the premiere of Eleanor Burgess’ “The Niceties,” a drama that pitted her seemingly progressive lesbian professor against a young Black college student, played by Jordan Boatman.

Don Aucoin, reviewing the production in The Boston Globe, praised their performances, saying that “both find the nuances in their characters, conveying the occasional cracks within their seeming certitude.”

As Banes established herself in the theater, Hollywood also came calling. Her first film role was in 1984 in “The Hotel New Hampshire,” Tony Richardson’s adaptation of the John Irving novel, and she began turning up frequently on television, including in regular roles on “The Trials of Rosie O’Neill” in the early 1990s and, more recently, “Royal Pains,” “Nashville” and the outer space comedy “The Orville.”

“Her stage presence, magnetism, skill and talent were matched only by her unwavering kindness and graciousness,” Seth MacFarlane, c