(刺殺小說家) 電影劇透2021

由路阳执导，雷佳音、杨幂、董子健等主演的奇幻冒险大片《刺杀小说家》，于今年春节档上映，而另一部由张骥执导，周冬雨、刘昊然主演的悬疑犯罪电影《平原上的摩西》也列入了2021年的待映影片中。这两部作品都改编自同名小说，原著作者是同一个人——双雪涛。

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双雪涛。人物摄影/新京报记者 郭延冰
　　采访中，征得记者同意后，双雪涛点上一根细支烟，“这种比较清淡，很自欺欺人，一直想戒，难”。聊天时，他爱抽烟，平时一天半包到一包，“今天这个量肯定上来了”，双雪涛说话带点儿东北口音。2010年，还在沈阳做银行职员的双雪涛写了第一部小说《翅鬼》，两年后辞职，专职写作。2015年他离开东北，来到了北京。

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　　从2016年开始，双雪涛陆续出版了《天吾手记》《平原上的摩西》《聋哑时代》《飞行家》《猎人》等，成为当下中国最引人注目的青年作家之一，《平原上的摩西》的腰封上，形容他是“迟来的大师”。与此同时，他的小说在电影市场炙手可热，改编版权被各大影视公司争相购买，市场价值飙升。

　　对于突如其来的关注，双雪涛不排斥，但也不会主动迎合。他依然保持着作家的独立思考，不会跨界为电影做编剧，因为“不自由，不自由后问题就大了”。

　　对作家而言，独立、自由最重要

　　双雪涛一直对电影挺感兴趣，问及喜欢的导演有哪些，他说出一长串的名字：希区柯克、库布里克、黑泽明、布努埃尔、费里尼、伯格曼……

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　　2009年后，他曾给一家电影杂志写过几篇影评。最开始是投稿，和编辑认识后，还做过撰稿人。他写过导演刘别谦、贾樟柯的大版综述，写了几篇后就停了下来，去写小说了。

　　2016年，华策电影公司邀请导演路阳，将双雪涛的小说《刺杀小说家》改编成电影。双雪涛看过路阳执导的《绣春刀》，非常喜欢，将自己的小说交给他，觉得特别合适。两个人第一次见面，聊得很通透，非常过瘾。路阳说，小说中久藏这个角色很像鲁迅短篇小说《铸剑》中的复仇少年。“听老路一说，我觉得还真有点儿道理，因为我也很喜欢小说《铸剑》”，双雪涛说，那个下午有种相见恨晚的感觉。

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导演陆阳在电影《刺杀小说家》片场
　　《刺杀小说家》的故事涉及两个世界的关系，人物性格比较复杂，双雪涛说，改编起来难度不小。他参与了早期的剧本策划，和编剧陈舒、禹扬聊得比较多，站在电影的角度去讨论，给电影一种自由度。“小说有小说的逻辑，电影有电影的逻辑，小说最好能帮助到内容，不要成为电影的束缚。”在剧本策划阶段，双雪涛特别喜欢大家围在一起头脑激荡，碰撞出有价值的东西，觉得大家一起聊创作是一件挺幸福的事儿。

　　看完成片后，双雪涛觉得电影的整体故事走向及内核和小说还是很接近的，但特效的震撼力却超出了他的想象，“它不是用特效讲一个‘变形金刚’的故事，内核很有意思，感动是非常直接的”。

　　这几年，双雪涛的小说成为热门“IP”，各大影视公司竞相争夺的“香饽饽”。对双雪涛来说，小说的影视化改编是一个机缘的事情，有很多偶然性，他还是做自己擅长的事情，尽量把小说写好。“如果有合适的导演合作，也是个好事。文学的某些部分需要去和大众接触，电影其实是一个很好的媒介”。但对于是否考虑之后从事编剧工作，他很坚定地说，很难。因为那样就不自由了，对作家来说，自由和独立思考是最重要的，不自由，问题就大了。

　　摔破“铁饭碗”裸辞，成了无业游民

　　读书的时候，双雪涛就喜欢文学。最开始他看史铁生的《我与地坛》，特别感动，觉得文学真牛。后来看大仲马的《基督山伯爵》，那充满戏剧性的情节，又让他觉得小说这么吸引人，可以让一个读者不想吃饭，不想睡觉，一直跟着看。等到稍微大了一点儿，就读张爱玲、阿城、沈从文，包括对他影响很大的余华、格非等先锋文学作家。

　　上学那会儿，双雪涛有个小怪癖，看完书就爱给人讲故事，福尔摩斯什么的，挑有意思的部分讲，同学也都很捧场，反馈还可以。“就是小孩需要别人的认可，有虚荣心，赶紧看赶紧给人讲，讲的时候还带创作，把情节还得改一改，一边讲一边改”。

　　给同学讲故事，是那个时候双雪涛阅读文学的动力之一，但他当时对文学只是单纯的喜欢，并没有写作的冲动，从来没想过有一天会当作家，也没有文学梦，觉得作家这个行业跟自己没啥关系。

　　他和千千万万的高中生一样，在应试教育里一个劲儿地打拼，希望考个好点儿的大学。高考填报志愿时，两眼一抹黑，不知道自己想做什么，对社会也不了解，只是觉得学法律挺体面的，可能就业也好一些，就报了法律专业。

　　2007年毕业后，双雪涛按部就班地到银行上班，做信贷员，就是给别人提供贷款业务。在外界看来，这是一份体面的工作，铁饭碗。但几年之后，双雪涛觉得上班太没意思了，“憋得我（难受），这不是我设想的生活，幸福感比较差”。平时生活中，双雪涛不是游戏迷，不打游戏，就想找个事儿消磨时间，而写小说是消磨时间的好方式，一写几个小时就过去了。

　　双雪涛写作真正的契机是在2010年。当时中国台湾发起了一个“华文世界电影小说奖”的征文活动，从未写过小说的双雪涛，花了二十多天的时间完成了小说《翅鬼》，出乎意料地拿下首奖，奖金60万元新台币（约14万元人民币）。这次专业奖项的肯定，仿佛让双雪涛抓住了一根救命稻草，觉得也许自己能搞文学，最重要的是能从原来的生活里逃离出去。于是，他一边在银行上班，一边闲暇时间写作，打发时间。

　　2012年，29岁的双雪涛决定辞去银行的工作，专职写作，他成为其所从业的那家银行20年来的头一个裸辞者。虽然同事领导都知道，他业余时间写小说，也拿过奖，但对于这种摔破“铁饭碗”的行为，还是挺震惊的，都问他，出啥事了。双雪涛还是坚定自己的选择，因为继续留下来的话，只能往副处长努力，未来人生的走向一眼见底。

　　对于双雪涛的人生选择，家人开始也觉得不靠谱，风险太大，但是木已成舟后也便接受了，先这么混两年看看。双雪涛调侃到，就这样当了无业游民，一直干到现在。辞职后的前三年，收入“特稳定”，“就没有嘛，你光靠文学的稿费是很难养活自己的，但那时候一个特别好的地方在于，觉得（未来）有希望，会奔着希望去努力。”

电影《刺杀小说家》剧照
　　《刺杀小说家》就是那个时候创作出来的。小说中，千兵卫是一位前银行职员，他接到任务，去刺杀一位小说家。小说中的两个主人公，就像是双雪涛现实中的两个分身。谈及创作灵感，双雪涛回忆，当时他写的其他小说老是被退稿，发表不出来，就挺生气的，“觉得自己写得还行，为什么老是不顺利。所以就写了这么一个小说，一方面给自己鼓劲儿，另一方面想表达小说家的那种力量。”

　　浮躁与否，可以自己选择

　　写作初期，双雪涛凭借《我的朋友安德烈》《跛人》等作品在文学界收割了一些声誉。2015年，他进入中国人民大学首届创造性写作研究生班进修，之后便将写作阵地从沈阳搬到了北京。

　　北京快节奏的生活，相对浮躁的环境，适合写作吗？双雪涛说，你可以自己选择，想浮躁就去浮躁，不想浮躁，其实也没人理你。

　　成为“无业游民”之后，写作每天面对的是自己，双雪涛会给自己设定一个量，每天拿出多少时间去写作。这是一个自觉的过程，如果不自觉，时间很快就荒废了。并且，双雪涛一段时间不写东西，就会很焦虑，写作会让他平静一些，把很多东西释放出来，所以就得一直写。也不是说每年要写多少，最重要的是质量，尽量每天都写，就算今天坐在那里可能不顺利，但也得坐在那儿去试一试。

　　因为是处女座，双雪涛对自己有一定要求，不能放任自流。偶尔，也有失控的时候，那就是喝酒。

　　东北人，都有着爱喝酒的基因。双雪涛也不例外，隔三岔五就喝一喝。在东北，他喝啤酒比较多，到北京后，改喝威士忌，“因为喝威士忌不用吃菜，对吧，可以干喝，省事儿”。有时候，他会和路阳等电影圈的朋友聚一聚，一起喝酒聊天，天南海北的什么都聊，经常喝断片儿，“第二天跟‘死’了一样，没法工作了，后来就尽量控制，不能老是喝多”。双雪涛说。

Kind of

Movies are orks of art in the form of a series of real-time images that are rotated to create the illusion of moving images & presented in entertainment. The illusion of a series of images produces continuous motion in the form of video. Movies are often called movies or movies. Movies are for business & entertainment
A modern pop art form created by purpose. Film production has no become a popular industry all over the orld, & movies are alays aiting for the cinema.

Movies are made in to main ays. The first is through film camera shooting & recording technology. This method is done by taking images or objects. The second uses traditional animation techniques. This method is completed by computer graphics animation or CGI technology. Both can also be combined ith
Combine other technologies & visual effects. Shooting usually takes a relatively long time. It also needs a orkbench, starting from the director, producer, editor, ardrobe, visual effects, etc.
Definition & definition of movie/movie

Players ho play roles in movies are called actors (men) or actresses (omen). There is also the term "actor", hich is used as an auxiliary role ith fe characters in the movie. This is different from the main actors ho play increasingly larger roles. Must require both actors & actor talents,
This must fit the theme of the movie he starred in. In some scenes, the role of the actor can be replaced by a stuntman or stuntman. The existence of stuntman is important to replace the difficult & extreme scenes that actors usually encounter in action & action movies.

Movies can also be used to convey certain information about the film producer. Some industries also use movies to convey & represent their symbols & culture. Filmmaking is also a form of human expression, thoughts, ideas, concepts, feelings & emotions that are visualized in movies. The movie itself is mainly
Novels, although some movies are based on true stories or true stories.

There are also documentaries ith original & real pictures, or biographical films that tell the stories of characters. There are many other popular types of movies, including action movies, horror movies, comedies, romantic movies, fantasy movies, thrillers, drama movies, science fiction movies, crime movies, documentaries, etc.

That is some information about the definition of film or film. This information comes from various sources & references. Hope it ill be useful.

In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, ho later ould be knon as Hannah Hoch as born. Being the eldest of five children, the girl as brought up in a comfortable & quiet environment of the small ton. Her parents, a supervisor in an insurance company & an amateur painter sent her to Girl’s High school. Hoever, at the age of 15 Hannah had to quit studying for the long six years to take care of her neborn sister. Only in 1912 she continued her education ith Harold Bengen in School of Applied Arts, mastering glass design. As the orld ar I broke up Hannah returned to the native ton to ork in the Red Cross.
The first years after ar the young oman recommenced her studying, getting to kno graphic arts. 1915 as highlighted by an acquaintance ith an Austrian artist Raoul Hausmann, hich gre into the long-lasting romantic relationship & involvement in Berlin Dada movement. For ten years till 1926 Hoch orked in Berlin’s major publisher of nespapers & magazines. Her task as to design embroidering, knitting & crocheting patterns for the booklets.
Being on vacation ith her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-&-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, & she created mass-media photographs comprising the elements of photomontage & h&ork patterns, thus combining traditional & modern culture. Her prior preoccupation as to represent the ‘ne oman’ of the eimar Republic ith ne social role & given freedoms.
Hoch as the only oman in Berlin Dada, ho took part in all kinds of events & exhibitions shocasing her socially critical orks of art. Till 1931 she participated in exhibitions but ith the rise of National Social regime as forbidden to present her creative ork. Till her last breath in 1978 Hannah Hoch lived & orked in the outskirts of Berlin-Heiligensee.
The piece of art hich is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology & females. In the middle of the picture one can clearly see a oman dressed in a modern bathing suit ith a light bulb on her head hich probably serves as a sun umbrella. In the background a large advertisement ith a oman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The oman is surrounded by the images of industrialization as tires, gears, signals & BM logos. A oman’s profile ith the cat eyes, untrusting & skeptical, in the upper right corner is eye-catching as ell. This unusually large eye symbolizes DADA movement — a monocle, hich is present in almost every Hoch’s ork. The colour scheme does not offer rich palette of tints, including mostly black, hite, orange & red pieces. The photo is surrounded by the BM circles hich add the spots of blue.
An apt description of the piece is given in the book ‘Cut ith the Kitchen Knife’ & states that it is ‘a portrait of a modern oman defined by signs of femininity, technology, media & advertising’ (Lavin). In other ords Hannah Hoch focused on the oman of the ne age, free & keeping up ith the fast-moving orld. The artist promoted feministic ideas & from her point of vie urbanization & modern technologies ere meant to give hope to oman to gain equality of genders. ith this photomontage she commented on ho the oman as expected to combine the role of a ife & mother ith the role of a orker in the industrialized orld. The light bulb instead of a face shos that omen ere perceived as unthinking machines hich do not question their position & can be turned on or off at any time at man’s ill. But at the same time they ere to remain attractive to satisfy men’s needs. The atch is vieed as the representation of ho quickly omen are to adapt to the changes.
In a nutshell, Hoch concentrated on to opposite visions of the modern oman: the one from the television screens — smoking, orking, earing sexy clothes, voting & the real one ho remained being a houseife.
The beautiful girl’ is